Wednesday, February 20th, 2013

Minding my p’s and q’s

At the London Centre for Book Arts last night I found myself rubbing shoulders with website editors and primary school teachers as we came face to face with traditional hot metal and wooden letterpress type. The three hour workshop gave everyone in the small group the chance to set a single line of metal type and their own composition of wooden letter forms. Getting hands on with such an authentic, traditional printing technique was great fun and a refreshing break from the daily digital equivalent. The guys at LCBA are clearly passionate about their work in restoring, preserving and teaching all elements of book arts. I wish them every success and look forward to attending my next workshop soon! You can find out more here.

Letterpress workshop at the LCBA

Tuesday, March 6th, 2012

An E-motional Evening

I was lucky enough to attend the E-motional Type lecture at the British Library last night, the final event of their Spring Festival. It was a rare opportunity to hear from FUSE legends Neville Brody and Jon Wozencroft, along with Adrian Shaughnessy, Jonathan Barnbrook and Teal Triggs. Each speaker was given ten minutes (ish) to make their presentation on the role of type and visual language. I thought the format was a great success, with a wide variety of topics covered; from the experimental work of Brody & Wozencroft (celebrated in their special boxed set of FUSE 1-20), to the thought-provoking projects of Barnbrook, the passionate feminism of Triggs and the quick-witted commentary of Shaughnessy. Just my ‘type’ of evening!

British Library Spring Festival

British Library Spring Festival

Thursday, February 23rd, 2012

Bring me sunshine…

The Designs of the Year 2012 show is now on at the Design Museum, with a huge variety of work on display from a wide range of design disciplines. I will definitely making a trip down to the museum to check it out, not least to get a peek at a reject slab from Gordon Young and Why Not Associates’ Comedy Carpet installation. I have been a fan of this piece since first coming across it in last October’s issue of Creative Review and have recently got hold of a copy of the companion guide book (pictured) – I think it is a great marriage of typographic design and engineering ingenuity. So until I can come up with a reason to go to Blackpool, the exhibition is going to be the closest I can get! Find out more at comedycarpet.com

The Comedy Carpet Guide

The Comedy Carpet Guide

Monday, October 3rd, 2011

The writing is on the wall!

Parking up in an NCP car park in Norwich City centre on Saturday, spotted this great piece of art. According to the parking attendant a collection of art students had approached Norwich Council with the idea of ‘covering’ a building in hand painted messages. They sold the idea that the paint would wash off in 3 months, and that was 3 years ago!

The writing is on the wall!

Thursday, January 20th, 2011

David Carson announces ‘Carson Magazine’

Making his return from the late 90′s typography grunge era, David Carson has announced his return to journalism with a new magazine, appropriately titled, ‘Carson’. Famous for his radical approach to typography and conceptual advertising in Ray Gun magazine, Carson paved the way to change how designers used and viewed typography as a medium, pushing us out of our Bauhaus influenced boxes into a crazy world where anything was possible. Since then, typography has returned to it’s former clean cut ways as people now prefer clarity and clear unadorned type, with Carson’s work now considered retro. So now with his return, it will be exciting to see what waves are made.

Carson Magazine

You can visit the Carson Magazine website here and order the subscription for $20.91 (but a bit pricey for the UK at $102.27) for 6 issues.

Thursday, July 15th, 2010

Legacy of Letters

Fraktur writing for the Legacy of Letters italian tour, organize by Paul Shaw, NYC